of Fallibility in the Household and Contemporary Art
K. Brown II
formulation of modus operandi systems (MOS), the reinforcement of expression
cast by cognizance, by impressions of knowledge--are manifested synergistically
or symbiotically in the shifts in the imitative exchanges between individual
behavior-cognition within a peer group.
laurels (rites of passage) introduced by heritage, mannerisms perpetuate
equivocate the surrounding environment and tectonic territories. Heritage
controls what is considered to be spiritual and meaningful to an individual
and/or peer group, and serve as the rudiment to the standards or attitudes,
which predicate the laurels perfection and beauty. Standards and attitudes
are set by inciting the individual and/or peer group to compete for laurels.
This incitement is a competition for the freedom to act upon heritage.
for freedom is the championing of flawlessness which by de facto or de
jure constitution declares a hegemony that determines the manner in which
relations are to be conducted, determines what is to be mainstream and
marginal behavior-cognition during the time of occupancy in a particular
are ominous conflagrations throughout society concerning the appropriation
of perfection and attention given to beauty, there are no more or less
mannerist situations than in the household and contemporary art.